The Rosie Show to Welcome Russell Brand as First Guest

Rosie O'Donnell, Russell Brand Russell Brand will be the first guest on Rosie O'Donnell's approaching OWN talk show, The Rosie Show, it absolutely was introduced Thursday. When speaking with television experts about her new show in August, O'Donnell listed the comedian, actor, author and music artist among possible site visitors and stressed her desire to talk to stars who she thinks have something to convey. O'Donnell also mentioned sherrrd prefer to possess singer Adele on her behalf account show. The 7 things to learn about Rosie O'Donnell's new show Brand, 36, will next be viewed within the film adaptation of Broadway's Rock old range. The Rosie Show premieres on Monday, March. 10 at 7/6c on OWN. Are you currently presently excited to find out Brand sit lower with O'Donnell? Cure do you want to see show on her show?

New Melancholia Character Ad banners

A sneak look at Von Trier's latestUsually, whenever we get our sticky on the job some interesting character ad banners, they are for any large franchise picture featuring magicians or mutants. Well, not this time around (unless of course we have seriously misinterpret the film), as this lot are for Lars VonTrier's Melancholia, which might actually cover depression, damaged families battling for connecting, and/or even the finish around the globe.It is all held together with a brilliant performance byKirstenDunst as Justine, a lady who may (or might not) be depressed (or she might be entirely rational). Also featured listed here are: her flighty father (John Hurt), faithful fiance(Alexander Skarsgard), hot-tempered (although not so bad) brother-in-law John (Keifer Sutherland) and sister Claire (Charlotte now Rampling), who's kind of second-lead within the film. Director vonTrier also will get a tribute, making a strange kind of sense since he's also almost a personality within the film.Ad bannersMelancholia has gone out thisFriday, a great idea is a front-row chair for that finish around the globe inside your local multiplex soon.

ABC Buys Comedy Projects From 'Arrested Development' Producer, Jennifer Garner Eyes Courteney Cox-David Arquette Half-Hour

Kevin Winter/Getty ImagesCourteney Cox and David Arquette ABC has acquired some comedy pitches from two different voices. The initial project, Loosely Related, arises from Arrested Development producer Barbie dolls dolls Adler and involves a classic slut who tries to change her existence and goes searching for her two sons' baby daddies and eventually ends up developing an unlikely family. ABC bought the help the region. Adler, who was simply a co-executive producer on last season's Perfect Couples, will be a producer on Arrested Development. Repped by WME, her credits have Miss Brought and I am Earl. The second project, Cartoon Marriage, can be a family comedy executive produced by former Alias star Jennifer Garner and good book by married NYer cartoonists Michael Maslin and Liza Donnelly. Garner and her creating partner Juliana Jane types will executive produce through their Vandalia Films shingle. Under Perfect creator Terri Minsky will adapt the project. ABC Art galleries is behind both projects. Meanwhile, The Hollywood Reporter has confirmed the studio is pitching a comedy series from Coquette Productions' Courteney Cox and David Arquette named ten years, as first reported by TV Line. The project, that is pitched to ABC under Cox's first-look deal with the studio, explores the pros and cons of associations across several pals spanning 10 years. ten years comes three several days following a separated couple offered the sport show pilot Identity Crisis to CBS. The concept, from Magical Jade Productions, involves categories of two that needs to identify what they're known as of celebs. Late Late Show host Craig Ferguson have been eyed just like a potential host for your project. Email: Lesley.Goldberg@thr.com Twitter: @Snoodit Courteney Cox David Arquette Jennifer Garner ABC Art galleries TV Development

Completeness

Aubrey Dollar and Karl Burns are science students who find romance behind their nerd-speak. A Playwrights Horizons presentation from the play by 50 percent operates by Itamar Moses. Directed by Pam MacKinnon.Elliot - Karl Burns Molly - Aubrey Dollar Lauren, et al - Meredith Forlenza Don, et al - John AversThat deadly theatrical form, the romcom, will receive a jolt of existence from Itamar Moses, taking a break from his TV writing chores (on "Boardwalk Empire" and "Males from the Certain Age") to pen a romantic comedy that doesn't turn the stomach or insult the intelligence. Although "Completeness" observes the traditional conventions from the cute-couple comedy, Moses ascribes a contempo sensibility to his figures, grad-school scientists who hide their personal anxieties behind torrents of remarkably lyrical nerd-speak. As carried out by two appealing leads, these youngsters are in good hands, however romance includes a hard time which makes it with an uncomfortable second act. The highly structured turning set (by David Zinn) as well as the hi-tech type of the lighting (Russell H. Champa) and video predictions (Rocco DiSanti) play an important role because problematical second act, making a massive literal point in regards to the way technology can both assist and decelerate human connections. Nevertheless the only set pieces that count will be the sterile computer cluster where Elliot (Karl Burns) and Molly (Aubrey Dollar) meet cute as well as the large warm bed mattress where they dare being human. Burns, an infrequent and true find who appears to own evaded the eye in the Hollywood studio talent bandits, can be a enjoyable artist that Elliot, a pc science grad student within an undesignated college, wins our hearts before he even opens his mouth. The lovestruck lad is actually socially tongue-tied and physically uncoordinated that Molly, the molecular biologist he's been looking to get, must showed up at his save by asking for help with an experiment that has been sickness data that's "type of noisy and full of garbage." Molly's a charmer, but she's also formidably smart and clear on herself, and Dollar can get extra credit for letting us realize that fine intelligence along with her sexy various various insecurities. So score two for helmer Pam MacKinnon ("Clybourne Park"), who also directed the play if the preemed at South Coast Repetition. Really, score four with this particular helmer, because John Avers and Meredith Forlenza are numerous fun to check out since the various ex-fanatics and would-be fanatics who really increase the risk for plot look harder than. Would that Moses had given these figures more to accomplish inside the second act, when Elliot and Molly hold the large breakup that's virtually obligatory in romantic comedies. For reasons uknown, the playwright neglected the mechanical plot engineering necessary to support some plausible dramatic complications for your breakup, which feels abrupt and improperly motivated. In one respect, Elliot and Molly are similar to numerous other fanatics in several other plays: They're careful about commitment and desire some assurances they're not going to be hurt once they disappointed their guard. But Moses poses this eternal question inside an original and interesting way, through which causes it to be the nub in the biology science problem that Elliot tries to solve while using data-mining formula he programs for Molly. When these articulate fanatics readily speak (in streams of dense but oddly musical technical language) of brute pressure information that could organize public of options into workable, even expected odds, they are really calculating their unique probability of getting hurt. The metaphors is probably not about the componen while using imagery in "Ode about the Grecian Urn," but every generation talks its own poetry and Moses seems to offer the ear with this.Models and costumes, David Zinn lighting, Russell H. Champa original music and appear design, Bray Poor predictions and video, Rocco DiSanti production stage manager, Charles M. Turner III. Opened up up Sept. 13, 2011. Examined Sept. 8. Running time: 2 Several hours, 20 MIN. Contact the number newsroom at news@variety.com

TOLDJA! Raymond Wu & Mark Kaufman Atop Refurbished Warner Bros Theatre Endeavors

BREAKING: Gregg Maday In Shakeup At Warner Bros Theatre Endeavors (September 13, 2011 Burbank, CA)Craig Meyer, Chairman & Boss, Warner Bros., today introduced a reorganization of Warner Bros. Theatre Endeavors, with Mark Kaufman and Raymond Wu discussing the positioning of Executive V . P ., Warner Bros. Theatre Endeavors, the Galleries live theater production operation. Kaufman, who definitely are located in New You are able to, and Wu, who definitely are located in Burbank, will both are accountable to Alan Horn, who's managing the division in the talking to role for that Studio, confirming to Meyer. Its great to possess Alans creative instincts and insight open to Theatre Endeavors, with Ray and Mark getting a good mixture of experience and proven hit-making talent to the team, stated Meyer. With this particular new leadership structure, we are able to take full advantage of the myriad possibilities open to Theatre Endeavors and take its procedures one stage further. Wu continues to be with Warner Bros. Theatre Endeavors since 2005 and formerly offered as Senior V . P . of Development and Mind of Procedures. He was among the lead producers from the divisions holiday Broadway musical hit Elf, which broke box office records five from the nine days of their limited engagement this year-2011. Before joining Warner Bros., Wu was with Disney Theatricals, producers from the stage hits The Lion King and sweetness and also the Animal. Kaufman joins Warner Bros. Theatre Endeavors from Unique Features. Kaufman supervised and oversaw the Broadway manufacture of the Tony Award-winning musical Hairspray along with the Tony-nominated musical The Marriage Singer with respect to New Line Cinema, and seemed to be among the lead producers from the stage manufacture of Elf. Furthermore, throughout his 16 years at New Line Cinema, Kaufman oversaw such films as Secondhand Lions, Move forward and Hairspray. Younger crowd offered as executive producer about the hit comedies Four Christmases and 17 Again, in addition to My Siblings Keeper, so that as connect producer on Valentine's Day. Warner Bros. Theatre Endeavors may be the live stage play division of Warner Bros. Entertainment and accountable for developing and creating musicals along with other stage productions for that Studio. The division presently has various projects in development, including co-productions with award-winning Broadway, film and tv producers. Among they are an adaptation of Charlie and also the Chocolate Factory, which is directed by Mike Mendes, acclaimed film and stage veteran. Charlie is planned to spread out in 2013 within the Uk. Warner Bros. Theatre Endeavors can also be accountable for maintaining and certification happens privileges towards the various qualities inside the Galleries huge media library, such as the Wizard of Oz, The Colour Crimson and 42nd Street.

Postcard from Venice: Time for you to Say Goodbye, However: Could Polanski Win a Golden Lion?

Venice is really a town of lions. There’s the ubiquitous winged lion, the symbol of Saint Mark, seen everywhere in statuary as well as on ad banners. Last evening, outdoors the Casino, among the primary structures from the festival complex, I saw a winged lion statue, about 12 ft off the floor, having a single wine glass perched delicately if a little hazardously atop among his meaty feet, left out by some meticulous reveler. Other lions don't have any wings but appear to not mind much, standing guard at chapel entrances, outdoors restaurants or at the middle of neighborhood squares. And everywhere you appear, you will find more compact lion faces looking back to you: Some have important and apparent jobs to complete, holding door-knockers or doorbells within their mouths. Other medication is liberated to just be themselves, but all appear set on keeping track of things. Then you will find the festival awards, the Golden and Silver Lions, which is introduced on Saturday. Today is my last trip to the festival (though I’ll be confirming back about the awards over the past weekend), meaning it’s time for you to think back in the movies I’ve seen previously 7 days and suggest some possible those who win — though remember, there’s no such factor like a sure factor. The film my British-speaking buddies appear to prefer to date is Alps, an intriguing picture from Greek director Yorgos Lanthimos (who gave us another festival favorite, Dogtooth, a couple of in the past). In Alps, a disparate group — a nurse, a paramedic along with a gymnast and her coach — have banded together to create a little crew whose purpose isn’t immediately obvious. Nor have they got a title, until their leader, the paramedic, performed by Aris Servetalis, proposes they call the Alps — they constitute a stalwart and reliable presence inside a world high’s always the chance of loss. Eventually we learn the Alps give a strange but possibly invaluable service: They approach people who've lost family members and impersonate the deceased, in some instances serving as a receptor for a variety of cathartic behavior, in other people simply serving as a stand-directly into assuage grief. Alps is definitely an intellectual exercise first of all, a stark puzzler with modest production values (which means plenty of handheld camera work and cleaned-out colors) that’s engaging enough for that questions it asks in the sly, sidelong way: Chiefly, who're these folks? By extension, who's anybody? Would be the people we all know truly the people we all know, or could they be all impostors? And so on. I’m unsure Alps cuts as deeply as lots of my co-workers appear to consider it will, however it’s still an intriguing bit of filmmaking that may attract some love in the jury here, probably the director’s prize, the Silver Lion. Variety continues to be posting a unique festival edition every day now, the state publication from the festival, featuring a chart where a choice of worldwide experts assign a score to every movie. By Wednesday, the image using the greatest score is Roman Polanski’s Carnage, by having an 8 from 10. The following greatest scores visit George Clooney’s The Ides of March (7.5) and Steve McQueen’s Shame (7.4), which might be the most popular of the festival (although I had been also astounded by the craftsmanship and emotional resonance of Tomas Alfredson’s Mess, Tailor, Soldier Spy). I wasn’t capable of seeing Carnage within Venice, however it certainly includes a strong possibility of winning the Golden Lion, depending, possibly, how preoccupied the jury is (it’s headed this season by Darren Aronofsky) with Polanski’s personal status. European experts and moviegoers have were rather more forgiving of Polanski than American ones, selecting to pay attention to the job as opposed to the fairly certain proven fact that he committed a criminal offense that he never was punished. Politics frequently play a crucial role in festival awards, and that one may go in either case. I’m also very happy to observe that Ann Hui’s tender and superbly crafted Tao Jie, or perhaps a Simple Existence, has additionally found some favor among experts here. (It presently includes a 7.2 about the Variety scorecard.) Andy Lau, possibly most widely known to American audiences from his roles within the Hong Kong Infernal Matters movies, plays a film-biz accountant named Roger who takes it upon themself to take care of his family’s seniors housekeeper, Au Tao (Deanie Ip, a revered actress in Hong Kong cinema and Lau’s real-existence godmother), that has requested to become include a elderly care. The image is remarkably unsentimental, and Hui includes a gift for homing in about the telling detail. In a single sequence, we watch as Au Tao prepares to go to a movie premiere with Roger: She puts on her behalf best clothes — simple products which have clearly been looked after and treasured for a long time — and slips two modest gold and jade rings on her behalf fingers. She removes a tube of lipstick that’s almost completely worn lower — this, too, might have been valued for a long time — and in just a minute that talks volumes concerning the complex relationship between economy and vanity one of the aged, streaks a little on her behalf lips together with her fingers. We have seen her reflection within the mirror she looks adequately pleased. It’s the type of quiet detail we visit the movies for, the whisper that talks even louder than the usual shout. I’m unsure you will see a prize for any Simple Existence, however it’s among individuals movies I’m grateful to possess seen here, and that i hope it finds a bigger audience worldwide. So that as always, I’m sad to depart Venice, a town I’ve grown to like. But Toronto — that will feature a few of the films I’ve skipped here, such as the Ides of March, beckons. So once more, I only say arrivederci, Venice! And beginning Friday, hello, Toronto. Read all Stephanie Zacharek’s coverage from the 2011 Venice Film Festival here.